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DANCEBRAZIL & Mestre Jelon no New York Times

There was enough appreciative whistling to make a construction worker blush at Skirball Center at New York University on Saturday night, when DanceBrazil rolled through town with its crowd-pleasing style of high-octane, high-flying, pelvis-swiveling choreography. And let’s not forget the revealing costumes: the phrase “six-pack abs” doesn’t begin to do these folks justice.

Act II of “Ritmos,” or rhythms, by DanceBrazil’s artistic director, Jelon Vieira, was true to its title. Accompanied by Tote Gira’s live, percussive feast of a score, the work moved between silky samba sections and explosions of capoeira, Brazil’s martial arts dance. The performers, all men save for two women, might spend a bit less time hamming it up for the crowd and a bit more focusing on the intimate social dynamics that can make capoeira — with its spinning, lashing kicks and power moves executed in close quarters — so captivating. Still, it’s hard to be grumpy in the face of such an unabashed display of bravado, especially by dancers like these, whose rhythmic intelligence elevates sometimes stock material.

“Inura,” a premiere by the former Alvin Ailey dancer Carlos dos Santos Jr., is more ambitious, described in program notes as an exploration of the energy associated with the Yoruba deity Exu. Tania León’s score, which she conducted, features a spookily strange chorus and intriguing orchestration, creating a richly ritualistic mood. Here the women are given more to do, often taking central roles in sensual, impressionistic passages that meld capoeira with a modern fusion of styles reminiscent of Ailey.

These passages, like Manny Vega’s costumes, are sometimes more fussy than complex. Yet the eye and ears are drawn in and inclined to linger. CLAUDIA LA ROCCO

LAURA PAWEL

Dance Company

Baryshnikov Arts Center

“This is old school,” my neighbor said to me in a stage whisper during intermission at Laura Pawel’s dance program at the Baryshnikov Arts Center on Friday night. “Very Sarah Lawrence.” Ms. Pawel, who formed her company in 1968 after graduating from Sarah Lawrence College, approaches movement from a pedestrian, post-Judson Dance Theater aesthetic. There is a good deal of talking while moving; and the dancing, characterized by skipping, walking and shuffling, isn’t strenuous but deftly composed. Ms. Pawel experiments with improvisation within set choreographic structures.

Dancing with Ms. Pawel in the short trilogy of dances, “Sphinx,” “Phoenix” and “Griffins,” Pamela Finney was a grounded, austere counterpart to the choreographer’s lissome walks on demipoint and wiggling fingers. But the majority of works were for the group. In “Brambles,” from 2007, the dancers slyly commented on the aging process while contrasting off-kilter phrases with stillness. “I didn’t bump my head on the corner of anything today, and it doesn’t hurt,” Ms. Finney observed with deadpan flair.

The approach of talking and dancing extended to Ms. Pawel’s “There Might Be Mangoes,” a premiere for six brightly costumed performers set to live jazz music by the Cecilia Coleman Quartet. While the lines were funny in “Brambles” because the dancers seemed unaware of their humor, the dialogue was overly self-conscious in “Mangoes.” For Ms. Pawel to succeed in making an old form look alive, innocence can’t be sacrificed for a laugh. GIA KOURLAS

 
DanceBrazil members performing Jelon Vieira’s “Ritmos.”
By THE NEW YORK TIMES
Published: March 22, 2009

Skirball Center
for the Performing Arts

 
Fonte: http://www.nytimes.com

JOÃO GRANDE

João Oliveira dos Santos – Mestre João Grande, PHD Honoris Causa.

Um dos principais díscipulos do mestre Pastinha. Por mais de 40 anos o Mestre João Grande tem praticado e ensinado Capoeira Angola. Ele viajou para África, Europa e América do Norte, onde ensina atualmente, em sua academia na cidade de New York.
De lá ele continua mantendo o intercâmbio com a Bahia e acompanhando a movimentação da Associação Brasileira de Capoeira Angola.
The Capoeira Angola Center of Mestre João Grande. 69 West 14th St. 2nd flr. NEW YORK, NY 10011 – Near 6th Ave. Tel: (212) 989 6975